Sound Expertise LIVE! The American Composer and the Future of the Conservatory with Jonathan Bailey Holland
Friday, 15 November 2024
11:45am CST
State Ballroom
For much of the history of music in the United States, composers have not just composed: they have been performers, conductors, entrepreneurs and, quite often, administrators, overseeing the production of culture. Leading a modern-day American music school is a project of creativity and bureaucracy entwined, maintaining longstanding traditions of artistic and educational excellence while also grappling with the problematic history of those traditions, which have long excluded vernacular and nonwhite musical voices. What does it mean to compose in America today, while overseeing a major cultural institution in flux? For this special live episode of the podcast Sound Expertise, host Will Robin interviews composer Jonathan Bailey Holland, dean of the Bienen School of Music at Northwestern University, to answer these crucial questions.
Presenters
Jonathan Bailey Holland is dean and Kay Davis Professor of Music at Northwestern University’s Bienen School of Music. His music has been performed and commissioned by the Atlanta, Baltimore, BBC, Cincinnati, Charlotte, Columbus, Dallas, Detroit, New World, Richmond, and San Antonio symphony orchestras; the Cleveland Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, Florida Philharmonic, Chicago Youth Symphony, Cincinnati Symphony Youth Orchestra, Abeo Quartet, Concerto Soloists of Philadelphia, Hotel Elefant, der/gelbe/klang, and Roomful of Teeth; and soloists Ignat Solzhenitsyn, Sarah Bob, and Demarre McGill, among many others. He has received awards and honors from the Guggenheim Foundation, The Boston Foundation, Civitella Ranieri Foundation, Massachusetts Cultural Council, Fromm Music Foundation at Harvard University, American Academy of Arts and Letters, American Music Center, ASCAP, the Presser Foundation, and others. Holland holds degrees in music composition from the Curtis Institute of Music and Harvard University.
William Robin is associate professor of musicology at the University of Maryland’s School of Music. His research and writing untangle the complex cultural and institutional histories of contemporary classical music in the United States. His first book, Industry: Bang on a Can and New Music in the Marketplace (Oxford University Press, 2021), examines the new-music festival Bang on a Can and their participation in major shifts in the 1980s and 1990s as the American avant-garde pivoted towards the marketplace. His second book, in collaboration with Kerry O’Brien, is On Minimalism: Documenting a Musical Movement (University of California Press, 2023), a revisionist history of musical minimalism told through the presentation and contextualization of more than a hundred primary sources. As a public musicologist, Robin contributes to The New York Times and hosts the podcast Sound Expertise.