From Prague and Beyond: Slavic Routes for Voices and Winds

Saturday, 16 November 2024
4:00pm CST
Red Lacquer Ballroom

The Newberry Consort and Schola Antiqua present a concert of works engaging the musical culture of Renaissance Prague. Inspired by a previous touring program curated by Erika Honisch and including a tribute to Lenka Hlávková, the two ensembles come together for the first time to perform scintillating works by Jan Trojan Turnovský, Kryštof Harant, Philippe de Monte, Jacobus Handl-Gallus, Jan Vencálek, Nicolaus Zangius, Michael Praetorius, Orlando di Lasso, and earlier sources for voices and Renaissance winds.

The 90-minute program will be illuminated with projected images and translations, and in-concert remarks by scholars Liza Malamut, Michael Anderson, and Erika Honisch.

Early-Bird Tickets: $15
Standard Tickets (after 9/23/24): $25

Registered conference attendees may purchase tickets via the AMS Annual Meeting registration form.

Performers

Newberry Consort

Since its founding 1986, The Newberry Consort has established itself as a pinnacle of research-inspired concert programming of Medieval, Renaissance, and Baroque chamber music. Artistic Director Liza Malamut’s programming has been described by critics as “glorious,” “dynamic and uplifting,” and “impeccable across the board. The Newberry Consort brings together singers and instrumentalists of the highest caliber to create historically informed performances of music from the Middle Ages, the Renaissance, the Baroque, and beyond. By integrating historical performance and research with contemporary themes and multimedia, the Consort inspires audiences, musicians, and scholars by providing a window into earlier times and diverse cultures. The Consort continues to uplift Chicago’s early music community through mentorships, teaching, and engagement of local artists.

Schola Antiqua

Schola Antiqua of Chicago is a professional early music vocal collective which researches, prepares and performs illuminating programs of pre-modern music. Engaging ancient repertories with “sensitivity and style” (Early Music America), Schola Antiqua’s high standards of concert performance are informed by scholar-driven historical perspectives on the European Renaissance and medieval periods. Founded in 2000, the organization has received a wide array of program commissions, including from museums, universities, religious and interreligious institutions, and scientific hubs. These invitations have resulted in the presentation of both live and recorded music in connection with cultural initiatives and art exhibitions in the United States and Canada. In 2012, Schola Antiqua received the Noah Greenberg Award from the American Musicological Society for outstanding contributions to historical performing practice, and it continues to engage scholars from around the world in each new program, including those within the performing ensemble.